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Spiegelsaal
Thesis
Spiegelsaal
Voices Carry
Spiegelsaal
Thesis
Spiegelsaal
Voices Carry
Thesis
Spiegelsaal
Voices Carry
Madelena Caron 8/12/26 Madelena Caron 8/12/26

approaching the limits of body and language in Kathy Acker’s “Tarantula” and later writings

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Madelena Caron 1/4/26 Madelena Caron 1/4/26

rest, healing, and transformation — medical aesthetics in A.F. Vandevorst, spring/summer 1999

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Madelena Caron 1/4/26 Madelena Caron 1/4/26

Alexander McQueen’s VOSS — decomposition, drive, deconstruction fashion

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Madelena Caron 1/4/26 Madelena Caron 1/4/26

Annelyse Gelman & Jenny Hval — explorations in écriture féminine via the vaginal signifier

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Madelena Caron 1/4/26 Madelena Caron 1/4/26

The Fall in the Postmodern Era — abjection via feminine post-punk style and 1990s Alexander McQueen

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Madelena Caron 2/11/23 Madelena Caron 2/11/23

Autoimmune Subjectivity - a concept in progress

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Madelena Caron 4/23/20 Madelena Caron 4/23/20

Voids: Berlin 1989-2019

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Madelena Caron 4/15/20 Madelena Caron 4/15/20

In Transit: London, 1981 to Berlin, 2020

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Madelena Caron 3/18/20 Madelena Caron 3/18/20

Smashed glass on the street. Blends of nondescript artifacts, soiled or iridescent. An element of Duchampian chance, externally-imposed control.

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Spiegelsaal | mec735@nyu.edu

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